January/February 1969 Elvis returns to Hollywood to film and
record the soundtrack music for his thirty-first, and what will
turn out to be his last, acting role in a motion picture. It is
Change of Habit, co-starring
Mary Tyler Moore. Elvis plays a hip ghetto doctor in a
Northern city, having come from Tennessee. Mary Tyler Moore and
two others play nuns who go “undercover” into the ghetto to
assist with health and societal troubles in the community. The
theme, though serious and timely, is not particularly well
carried out by the script in the opinion of many, and the title
is frivolous. But, Elvis looks magnificent, and gives a natural,
easy, understated performance that is a refreshing pleasure to
see after the silliness he endured in his films through most of
the sixties. The few songs in the movie are good and they’re
performed in natural, rather than the usual badly contrived,
situations.
March, 1969
Charro! opens in theaters and doesn’t do much at the box
Elvis is
booked for a four-week, fifty-seven show engagement at the
International Hotel in Las Vegas, which has just been built and
has the largest showroom in the city. Elvis puts together
top-notch rock and roll musicians, an orchestra, a male gospel
back-up group, and a black female soul/gospel back-up group for
his show.* They rehearse for several weeks and open on July 31,
1969. The show is a delightful mix of fresh arrangements of
classic Elvis hits, exciting new material he has recorded, a few
covers of current and past hits of other artists, and charming
on-stage antics and sharing of personal recollections of his
career. A press conference follows the first of his two opening
night shows. This engagement breaks all existing Las Vegas
attendance records and attracts rave reviews from the public and
the critics. It is a triumph. Elvis' first live album, Elvis
in Person at the International Hotel, Las Vegas, Nevada, is
recorded during this engagement and is soon released.
For these shows a lean Elvis in top physical form, wears simple, unique,
karate-inspired two-piece outfits in black or white. Here are a couple of reviews from music writers:
"There are several unbelievable things about Elvis, but the most
incredible is his staying power in a world where meteoric
careers fade like shooting stars." - Newsweek , 8-11-69
issue.
"...a style and panache that come close to pure magic. Lithe,
raunchy, the sweat pouring down his face, he now moves with the
precision of an athlete, the grace of a dancer...flamboyant and
flashy, sexy and self-mocking, he works with the instincts of a
genius to give poetry to the basic rock performance." -
W.A. Harbinson - From his 1975 book, The Illustrated Elvis.
A passage reflecting on Elvis' 1969 Vegas engagement.
NOTE: The orchestra was conducted by Bobby Morris. |